These individuals sometimes lack the "feeling" of a memory where they are able to recall a memory but feel as if they did not personally experience it. Additionally some individuals experience difficulty concentrating and problems with memory retrieval. This is to differentiate from external voices which are more commonly found in psychoses. One-third to one-half of patients with DPDR also experience hearing internal voices. In some cases, individuals may be unable to accept their reflection as their own, or they may have out-of-body experiences. Individuals with the disorder commonly describe a feeling as though time is passing them by and they are not in the notion of the present. While depersonalization involves detachment from one's self, individuals with derealization feel detached from their surroundings, as if the world around them is foggy, dreamlike, or visually distorted. Individuals with depersonalization describe feeling disconnected from their physicality feeling as if they are not completely occupying their own body feeling as if their speech or physical movements are out of their control feeling detached from their own thoughts or emotions and experiencing themselves and their lives from a distance. People who are diagnosed with depersonalization also often experience an urge to question and think critically about the nature of reality and existence. The core symptoms of depersonalization-derealization disorder is the subjective experience of "unreality in one's self", or detachment from one's surroundings. 7.1 Relation to other psychiatric disorders.5.3 Repetitive transcranial magnetic stimulation (rTMS).3.4.3 Consequence of psychoactive substance use.3.3 International Classification of Diseases 11th Revision (ICD-11).3.2 Diagnostic and Statistical Manual of Mental Disorders, 5th Edition (DSM-5).While brief episodes of depersonalization or derealization can be common in the general population, the disorder is only diagnosed when these symptoms cause substantial distress or impair social, occupational, or other important areas of functioning. The chronic form of the disorder has a reported prevalence of 0.8 to 1.9%. While depersonalization-derealization disorder was once considered rare, lifetime experiences with it occur in about 1–2% of the general population. A diagnosis is made when the dissociation is persistent and interferes with the social or occupational functions of daily life. ĭiagnostic criteria for depersonalization-derealization disorder includes persistent or recurrent feelings of detachment from one's mental or bodily processes or from one's surroundings. However, in some certain situations this state of mind could last either hours, days, and possibly even weeks at a time. Those who do have this disorder could be in a depersonalized state for as long as a regular panic attack lasts. Triggers may include significant stress, panic attacks, and drug use. Adverse early childhood experiences, specifically emotional abuse and neglect have been linked to the development of depersonalization symptoms. ĭepersonalization-derealization disorder is thought to be caused largely by interpersonal trauma such as childhood abuse. Individuals experiencing derealization may report perceiving the world around them as foggy, dreamlike/surreal, or visually distorted. Derealization is described as detachment from one's surroundings. Individuals may report feeling as if they are an outside observer of their own thoughts or body, and often report feeling a loss of control over their thoughts or actions. Depersonalization is described as feeling disconnected or detached from one's self. Medical condition Depersonalization-derealization disorderĭepersonalization-derealization disorder ( DPDR, DPD) is a mental disorder in which the person has persistent or recurrent feelings of depersonalization or derealization.
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Her debut single "You Put a Move on My Heart", "Slow Jams" (performed with Babyface, Portrait and Barry White) and " Missing You" (performed with Brandy, Chaka Khan and Gladys Knight) all earned Grammy Award nominations, making Tamia one of the most anticipated new R&B singers in the US. While recording the album, several singles with Tamia as a featured performer were released, all gaining attention. In the early 1990s, Canadian singer Tamia was offered a record contract with Quincy Jones' Qwest Records and shortly thereafter started work on her debut album. Since its release, "So Into You" has often been performed on Tamia's concerts and tours, including The Verizon Ladies First Tour in 2004 and the Single Ladies Tour in 2012. It received a Directorial Debut of the Year nomination at the MVPA Awards. The song's music video was created by Harvey White and premiered on American TV in June 1998. It was released as the third single from the album on Jand became an R&B hit, peaking at number seven on the US Billboard Hot R&B/Hip-Hop Songs. The song earned generally positive reviews from critics and was noted for Tamia's more restrained and seductive singing technique. "So Into You" is a mid-tempo R&B song with lyrics describing the protagonist's feelings of love for her partner. Due to the inclusion of the sample, its writers Lionel Richie and Ronald LaPreads are credited as songwriters. The song is built around a sample from "Say Yeah" (1978) by American soul band The Commodores. It was written by Tamia, Tim Kelley, and Bob Robinson, with production helmed by Kelley and Robinson under their production moniker Tim & Bob. and WEA International for the world outside the U.S." So Into You" is a song performed by Canadian singer Tamia from her self-titled debut album Tamia (1998). Mastered at Powers House Of Sound, New York, NY. Recorded at Westlake Studios, Los Angeles, CA. Track 13 © 1993 Rodsongs ASCAP all right adm. Gerald Albright appears courtesy of The Atlantic Recording Corp. Track 12 © 1984 Morrison-Leahy Music Ltd ASCAP all rights administered by Chappell & Co., Inc. Recorded and mixed at Silent Sound Recording Studios, Atlanta, GA. Produced for Silent Partner Productions, Inc. Track 11 © 1997 Warner Tamerlane Publishing Corp. Mixed at Record Plant Recording Studios, Hollywood, CA. Recorded at Red Zone / The Backroom / Encore, Los Angeles, CA. Track 10 Published by Famous Music / Tunes On The Verge of Insanity / Mo Better Grooves / Gimme Some Hot Sauce / Plus 1 Publishing ASCAP. Recorded at Studio 56 (B-Funk Lab), Los Angeles, CA. Produced and arranged for Human Rhythm Productions. Track 9 © 1997 Keith Crouch Music / John "Jubu" Smith for Dango Music / Plus 1 Publishing ASCAP. ASCAP / Ford-Payne Publishing BMI / Z-Man Publishing / Jab Jum Publishing ASCAP. Track 8 © 1997 Personal 21 / MCA Music Publishing, a division of Universal Studios Inc. Recorded at KrossWire Studio, Atlanta, GA. Track 7 © 1997 So So Def / EMI April Music / Stock A.D. Mario Winans appears courtesy of Motown Records. Acoustic Piano for "The FunkTwons" Productions. Mixed at Right Track Studios, New York, NY. Track 6 © 1997 All Silver Music / Beane Tribe / Plus 1 Publishing / "Hicklo" Music ASCAP. Mixed at Silent Sound Studios, Atlanta, GA. Recorded at Noontime Studios and D.A.R.P. Mixed at Chung King Studios, New York, NY. Recorded at The Enterprise Studio, Los Angeles, CA, Chung King Studios, New York, NY. Contains a sample of "Best Of My Love" performed by The Emotions, used courtesy of Sony Music Entertainment. Track 4 © Plus 1 Publishing / October 12th Music / Hitco South / Choir Boy Music, Inc./ Steven A. Productions at Westlake Audio, Los Angeles, CA. Recorded at Silent Sound Studios, Inc., Atlanta, GA. Track 3 © All Silver Music / Beane Tribe ASCAP / Pebbitone Five Fifty Five Music o/b/o/ Robert Avery Publishing and itself BMI / "Hicklo" Music ASCAP. Mixed at Larabee Studios, Los Angeles, CA. Recorded at Westlake Audio, Los Angeles, CA. Jobete Music Co., Inc / Cambrea Music / Libren Music / Brenda Richie Publishing ASCAP. by arrangement with PolyGram Special Markets, a division of PolyGram Goup Distribution. Contains a sample of "Say Yeah" performed by The Commodores, used courtesy of Motown Records, LLP. Track 2 © Plus 1 Publishing / Jobete Music Co., Inc / Cambrea Music / Libren Music / Brenda Richie Publishing ASCAP. Contains an interpolation from "I Want You Back" courtesy of Jobete Music Co. Jermaine Dupri appears courtesy of So So Def / Columbia Records. Recorded at Krosswire Studio, Atlanta, GA. Track 1 © 1998 So So Def / EMI April Music / Slack A.D. 1, eventually selling over 10 million copies internationally. 1, while the album topped the Billboard 100 at No. The label's hunch about Abdul's potential appeal proved right, and her first album, Forever Your Girl, released in June of 1988, immediately begat two hit singles, "Knocked Out" and "The Way That You Love Me." Her third single, "Straight Up," went all the way to No. By then, the energetic, exotically beautiful dancer with the strong work ethic and flair for showbiz was being courted by Virgin America Records, who had visions of turning her into a pop star, despite her lack of experience or innate talent as a singer. The Jacksons used her choreography talent for the 1984 video "Torture," while Janet later tapped Abdul to choreograph her solo music video for "What Have You Done for Me Lately" Following the success of those high-profile hits, Abdul was suddenly in demand for her services, choreographing videos for such diverse acts as Duran Duran, George Michael and ZZ Top.Ībdul's résumé of music videos led to choreography work on feature films including "Private School" (1983), "The Running Man" (1987) and "Coming to America" (1988). Lending her own personal style to the team's routines, Abdul infused jazz and street steps with standard cheerleading moves - enough that the team's revamped style captured the attention of various Jacksons in the famed musical family. Not only did she make the team, but several months into working with them, the choreographer departed and Abdul landed the job. All her years of tap, jazz and ballet paid off. Meanwhile her mother, a retired classical pianist, warned Abdul about the perils of being a professional entertainer, so instead of following her dream, Abdul enrolled at California State University, Northridge to pursue a degree in broadcasting, with an eye towards becoming a sportscaster.ĭuring her freshman year at CSUN, Abdul auditioned for a coveted spot as a cheerleader for the Los Angeles Lakers. She appeared in summer stock stage productions from age seven, performing excerpts from musicals like "Hello Dolly" and "Gypsy." A near-obsessive overachiever, Abdul was class president, member of the science and debate teams, and flautist in the orchestra at Van Nuys High School, while continuing to prove her dancing skills as the school's head cheerleader. She was drawn to entertainment after seeing the classic musical "Singin' in the Rain" (1952) as a child, and afterwards began ballet and tap lessons. Her earlier "nice girl" veneer, however, soon gave way to controversy amid Abdul's loopy behavior, allegations of inappropriate contact with a male "Idol" contestant, and her dramatic and unexpected departure from one of the most popular TV series on television.īorn June 19, 1963, Abdul was raised in California's San Fernando Valley by her Syrian-Brazilian father and French-Canadian mother. Proving them all wrong, in 2002, Abdul was cast on "American Idol" in the obligatory role of "overly kind" judge alongside the abrasive Simon Cowell and the bland Randy Jackson. At the peak of her popularity, Abdul was continually criticized for her fluctuating weight and her limited vocal range, and when her style was eclipsed by harder grunge rock in the early 1990s, she faded into obscurity. She would parlay her role as a high profile dancer into a brief music career where her fun, poppy R&B-tinged singles and electric concert performances earned comparisons to Jackson and Madonna. But years before she could make aspiring singer's dreams come true, Abdul was a key figure in the 1980s music video world for her choreography work with Janet Jackson among others. Known primarily as a music video choreographer and pop star of the late 1980s, Paula Abdul would later enjoy triumphant career resurgence as a judge on the phenomenally popular reality talent show, "American Idol" (Fox, 2002-16). Nowadays, you can find web design software that nearly eliminates the need to. With time, designing websites has become easier. Web design sector has witnessed several trends and technological innovations affect website development in big ways. You can also use it to manage your tasks easily. Using an email software allow you to do a number of things including managing your address lists, emails and even ending memos, documents and even virtual letters. To browse web, stream video or download online content, people often resort to using various third party apps. Using the Internet has become a necessity for a majority of people, including those who do not use a PC regularly. Apart from generating new data and modifying existing files, it becomes necessary to delete existing files at times. ĭealing with various types of data efficiently holds the key to success in any computing task. While using the basic Windows screenshot capture method is available, it is not adequate for everyone. Nearly every PC users need to take screenshots from time to time, whether it is for personal or professional needs. Using a single antivirus app may not be enough anymore. PC security has become a tricky and complicated subject both for home users and network supervisors, with complexity and risk factors multiplying over the years. For some people, tinkering with digital images is a pastime too. It may be required for retouching image captured in smart phones or for creating an album in Facebook. Nowadays, a majority of PC users resort to digital image editing once in a while. You also need to use various online services for banking. Whether it is for education or entertainment, the web is your best resource. It is quite difficult to find any computer users nowadays who do not need to use the web, for any purpose. It can recover lost files from partition, backup and restore partition table, clone partition or clone. ĭisk Genius was formerly known as Partition Guru which is an all-in-one solution for disk partition management, data recovery and disk repairing. EditiX includes default templates with XML, DTD, XHTML, XSLT, XSD, XML RelaxNG, SVG, MathML and XML FO.Whether you are using a printer connected to your local desktop computer or a print server sometimes you need to see whats going on in your printer by having a close look at the print jobs sent by the users. Working locally is managed with OASIS XML Catalogs. All the process can be managed by shortcuts. User can apply XSLT or FO Transformation and show the result with a dedicated view. EditiX supports multiple templates and project management. Helpers are also provided with context syntax popup supporting DTD, Schema and RelaxNG. EditiX has realtime XPath location and syntax error detection. EditiX provides users with an extensive range of XML functionality within a refined IDE that guides you with intelligent entry helpers. EditiX XML Editor Screenshot Version: 2022ĮditiX is a powerful and easy to use XML editor and XSLT debugger for Windows, Linux and Mac OS X designed to help web authors and application programmers take advantage of the latest XML and XML-related technologies such as XSLT / FO, DocBook and XSD Schema. EditiX is an XML editor and XSLT debugger for Windows, Linux and Mac OS X designed to help web authors and web application programmers take advantage of the latest XML and XML-related technologies such as XSLT / FO, DocBook and XSD Schemas. It is only being published by Third Studio. Please be aware that this software was not developed by any Third Studio member. Please share your feedback to appreciate our effort. Listen to Am I Supposed To Apologize by Maria Mena, 10,928 Shazams, featuring on Sam Smith: Influences, and Maria Mena Essentials Apple Music playlists. App will not allow to Edit, Extend any song. Ruby Turner - Its Gonna Be Alright (3:44) 08. Tears For Fears - Woman In Chains (5:22) 07. Jimmy Sommerville - Comment Te Dire Adieu (3:29) 06. Michael Bolton - How Am I Supposed To Live Without You (4:41) 04. All tracks listed in apps are copyright of their respective owners. : CD, Compilation (): Mr Music : MP3 (Lame 3.99r). We provide free music for soundcloud by use the Legal Sound Cloud's API according to their privacy policies which you can find here This App Allow to only play tracks and not allow to download, not allow to share on any social media, or not allow to set as ring tone, not allow to store on device in anyway due to respect of their owners copyrights. You can find and contact authors on Privacy Policy for SoundCloud: All tracks available is under CC license (author and license link properly mentioned for each song). Music is provided by "All songs, available through this application, are intended only for your personal non-commercial use. Please send us any complaints or suggestions. Free Downloader uses public APIs of legal sites. We only provide jamendo music to be download on mobiles according to their legal privacy policy. Due to Soundcloud music copyright, MP3 Music Downloader may not offer soundcloud downloads or free mp3 downloads. mp3 music downloader is free to use app,you can use it as songs downloader,mp3 songs, The Mp3 Songs Downloader app is much better than other music streaming apps because it allows you to save mp3 music on your device and listen to them later even when you are offline. Easily find and play songs by genres, albums ,artists, songs and folder. This free music download app also has a beautiful interface and smooth interface to help you find the music of your choice with ease. Thank you so much 0 mufty77 22 April 2021 15:24. Finding your best music becomes easier with a title search feature on the list of available songs.Īll the music on the app is published for free. DOWNLOAD FROM ISRA.CLOUD Maria Mena Viktoria 11 1604.rar - 216.5 MB MP3 Maria Mena Viktoria 11 1604.rar - 92.0 MB.
PROS – 311 is typically used when parents are hoping to show up at the hospital towards the tail end of labor – transition – just in time to push. Some parents choose to come to the hospital at 311 – when contractions are three minutes apart, each lasts one minute, and this has been going on for one hour. Hiring a doula is a wonderful solution to this dilemma! Doulas are excellent at navigating the stages of labor at home, a birth center, and the hospital. Parents with a history of a fast first birth may also feel anxious about a fast second or third birth. Having not experienced labor before, the stress of not knowing when to go may be too much for some. But don’t worry, using 411 to figure out when go to the hospital will still likely allow for plenty of time to get an epidural and other needed medications.ĬONS – Some parents may feel nervous coping through active labor at home on their own. In my experience, 411 also decreases the chance of care providers needing to “ speed things up” with Pitocin because labor is less likely to stall during active labor. PROS – 411 gives parents a better chance of arriving at the hospital during active labor, instead of early labor, which increases the odds of being admitted. Other care providers recommend parents to come to the hospital at 411 – when contractions are four minutes apart, each lasts one minute, and this has been going on for one hour. When at the hospital too soon, parents could also increase the risk of unexpected medical interventions like pitocin, which is given to strengthen a stalled out or slow labor. Getting to the hospital early may mean parents are sent back home, which can be exhausting and discouraging. Mothers will have enough time to receive an epidural if desired and other necessary medications (like antibiotics for group b strep) or procedures.ĬONS – 511 can easily get parents to the hospital too early, during the early stage of labor, which is typically best spent at home. PROS – 511 will likely get parents to the hospital with plenty of time before delivery. Most care providers recommend parents to come to the hospital at 511 – when contractions are five minutes apart, each lasts one minute, and this has been going on for one hour. How Far Apart Should Contractions Be Before Going to the Hospital? 511 So, when should parents go to the hospital for labor? ( Care providers want everyone healthy and happy!) Dads want to know so they don’t accidentally have a car baby □ and moms want to make sure to get to the hospital in time for an epidural. When planning for their hospital birth, many parents want to know how far apart should contractions be before going to the hospital. Simply lock a character’s foot for perfect foot contact and a character’s hand lock for proper interaction with props or scenes. The intuitive 2D in the IK / FK system automatically changes invisibly so that the characters posing for the animation work smoothly and the process is logical. Run the Crack file given in the folder of same name and click the option of crack.Ĭartoon Animator Crack Free Download is a simple and functional design differentiates Cartoon Animator from other 2D animation tools.Install the program normally and DO NOT run it yet.
The work done at the Marine Station Ostend makes use of resources, facilities and/or services provided by Flanders Marine Institute and the Marine Biology Research Group of UGent as part of the Belgian contribution to EMBRC-ERIC. The knowledge gained from these first captivating sea missions nearshore are crucial for the selection of the best performing materials and methods to be applied in the spring of 2021 in an offshore wind farm of Parkwind.įor more information on the project, please visit the websites of Horizon 2020 UNITED project and UGent. The results are currently being processed. The aquaculture structures were transported to the Marine Station Ostend (Flanders Marine Institute, to increase survival of settled oysters while being counted. A labour and time consuming job, so the entire team was present to collect the data (Figure 4). The team investigated the settlement of wild oyster spat (Figure 3), robustness of deployed systems, differences in flat oyster settlement between multiple nature-inclusive scour protection materials, efficiency of decommissioning methods, labelling techniques, and differences in biodiversity between substrates. We sailed off in November to collect data and observe the first results, under a bright autumn sun and joined by the camera man of No-Office, to capture our every move (Figure 2). Now, it was time to retrieve these structures for a first evaluation (Figure 1). The selected scour material must fulfill the technical requirements imposed on scour material in general and, at the same time, it should create an attractive habitat for oyster larvae to settle.ĭuring the summer the Belgian UNITED team deployed aquaculture structures for flat oyster designed by UGent and Brevisco and produced by Brevisco, and restoration tables designed and produced by Jan De Nul Group. Optimal growing conditions of flat oyster are quite specific, and this makes offshore aquaculture and restoration very challenging. The distance from the coast, operation and maintenance of the structures needed for restoration and aquaculture production, and the harsh sea and weather conditions in the North Sea complicate implementation. pearl farming industry starts out by using wild-collected pearl oysters, it will soon. The UNITED project aims to culture the initial oyster stocking material to allow the natural reefs to develop and, in the longer term, natural oyster reefs would provide oyster larvae to the aquaculture sector.Ĭo-location of restoration and aquaculture in wind parks looks like a logical choice, but we are still far from its large-scale application. oysters (spat) to keep the farm in operation. At the same time, the hard substrate used as scour protection around wind turbine poles provide a substrate for oyster larvae to settle on and initiate natural oyster reefs. Bottom fishing is not allowed in wind parks – and oyster reefs would thus not be damaged. However, overfishing since the 19th century and the occurrence of diseases (such as bonamiasis) in the 1980s devastated these wild oyster reefs.īelgian offshore wind farms offer a unique environment to restore oyster reefs and develop aquaculture. Such reefs provide a valuable habitat supporting a unique marine biodiversity, but also provided a luxury seafood for our cuisine and culture. Our Belgium waters used to house reefs of European flat oyster (Ostrea edulis). In addition, oyster beds form large, complex structures where many aquatic species, such as fish and crabs, hunt for food and hide from predators.November 2020: a busy month at the Belgian pilot! This promotes the growth of underwater grasses, such as wild celery, which serve as important habitat for other species. From this point forward, the oysters are self-sustaining, filtering all the nutrients they need directly from the water in their environment.īecause oysters are filter feeders, they help keep the water clean. The tiles or shells that hold the spat are secured to frames or in cages and submerged along an intertidal area or suspended from a long line. The successful farming of oysters and other shellfish relies upon successful settlement of larvae onto a selected substrate-typically other oyster shells or ceramic tiles-within a hatchery or wild setting. Oysters are frequently cultivated for food and pearls. Once the larvae permanently attach to a surface, they are known as spat. When oysters reproduce, they spawn tiny larvae that freely navigate the water column until they find an appropriate habitat with a structure to settle on. Oysters are a type of shellfish that live in brackish and saltwater bays, estuaries, and tidal creeks. You can't just spam lightning, you have to pay attention to the map, be resourceful and flexible, and consider whether you should use that wall for ammunition, leave it intact to protect your teammates, or destroy it so the enemy can't use it as cover. Positioning is already vital thanks to flanking bonuses, cover, and multiple adjacency-dependent support skills, but the mystics really dial it up. Enemies in cover, unaware how easily a good mystic can turn that against a defender. Interfuse with an anvil to cast Shackle, pulling a heavy out of the fight for a while, or with a candlestick to lance fire all over the place. Magic is mostly the purview of the mystic class, who interfuse with scenery on battle maps to power a variety of spells based on what that scenery is. It's important, however, to spread skills and weapons around, as everyone eventually leaves, and focusing overmuch on a few overpowered champions can scupper an entire game.Įach fighter has a class, generally focused on melee and defence, stealth and archery, or magic. In most areas of its strategic map (revealed to you chunk by chunk as you progress through chapters) you'll fight monsters with a small band of adventurers, typically a core of five, with between two and four more rotating on the injury bench or pursuing secondary objectives. But while I will absolutely bang on about the writing and narrative design and various anecdotes Wildermyth generated, it's worth mentioning that the tactical battles are excellent. It would be accurate to describe Earth as "a local planet". To describe Wildermyth as "a turn-based tactical RPG about taking a crew of homemade adventurers around a fantasy world, fighting monsters, and concocting your own stories" would be accurate. look, I'm not doing it on a technicality. Oh and for the record, when I said "If this game doesn't take off like it deserves to in 2020 I will eat my own face", there was an implicit understanding there, see, between reader and writer that. It brings you joy and drama, and it makes you want to share your stories. It was doing so many things so well that I couldn't stand waiting any longer to show it to people. Wildermyth was already one of the best games I'd ever played when I wrote about it during a week off in 2019. Publisher: Worldwalker Games LLC, WhisperGames.Wildermyth is a turn-based tactical RPG, but it's also a brilliant story factory, and one of the best games you'll play. Stage 2 – Build an audience with a webinarīefore getting into the sales process I needed to build an audience of interested people from my existing audience. What form would it take? I chose an eWorkbook including a planner and notes that people could complete to make their social media strategy. I knew it was something I could pull together using the research I’d already done for the presentation, there seemed to be a demand and the new year gave me a deadline and a selling point for my audience. There were a lot of questions coming up in the groups I inhabit about strategy, the new year was coming, we all like to make a fresh start for the new year and I’d been putting together a presentation for a group of tourism businesses about building strategy. It had to be something that my audiences needed and that I could create and promote on a low budget. Thank you for joining us on this episode of the Digital Business Acceleration podcast! If you enjoyed this episode, please leave us a 5 star rating and review on iTunes to help us reach even more entrepreneurs and business owners.ĭon’t forget to download your copy of our 7 Systems Blueprintso you know exactly how to get your business to thrive online.Choosing the right product is the first key to success. What to do instead of sending out an email blast.What you should be focusing on instead of price.How the digital tools you use can drag down your brand.What to do first with any digital platform that’s new to you.The safe way to give digital access to vendors, service providers, and your team.How to back up your digital assets if you don’t trust the cloud.Why you need to have backups for everything you do online.The question you should ask before publishing anything you’ve created.Horror Story! How a business co-owner missed out on billions of dollars.Why you don’t own your domains that have proxy privacy protection.What you should be doing every week to protect your email list.Why WordPress is the best platform for your website.How to find out whether or not you have control of your podcast.How often you should google yourself (and why).Where to start with digital asset ownership.Why you need to have ownership and control of your digital assets.The Mac app that allows YOU to be the hub of your live stream event.Horror Story! A live stream that went wrong in every way possible.Where social media should fit into your digital business strategy.Why we need to stop being consumers and start promoting things that we own.Use the comment box below or send us a note with this form, and we’ll share our answers in an upcoming episode. If you have a question about doing business online or about something we talk about on the podcast – ASK US. Whether you want to do podcasting, affiliate marketing, or turn your offline business into an online business, Schedule your Go-to-Market strategy sessions with us and we’ll help you put things in order and start on the right path. So listen closely to this episode where we explain why it’s critical that you have ownership and control of your digital assets, how to secure and protect them, why social media shouldn’t be the hub of your business, how to tell if you control your podcast and domains, two ways to back up your work, a live stream gone horribly wrong (twice!), a business horror story that will scare you out of your chair, and more! Everyone is doing business online now, even doctors and hairstylists! The digital way is here to stay, and it’s only going to get more complicated. This pandemic’s stay-at-home order is your wake-up call to build a digital business, regardless of what kind of work you do. There are people out there doing advanced live-streams on their own websites while some of us still don’t have websites or know what a podcast is – we’re still in kindergarten while they’re up in grad school! We’re all being pushed away from some things and being pushed into others, right? Live events are canceled, stores are closed, and we can’t go out … and at the same time, we’re having to do a Zoom, figure out Facebook Live, and learn whole new ways of living and working.Īnd we as Black people are falling behind as the digital world jets ahead. Well, we’re now full throttle into this pandemic with no end in sight, and we understand how that may have you feeling a certain way. Download Subscribe on Android Google Podcasts Listen in a New Window SoundCloud Stitcher Subscribe via RSS Spotify Player Embed |
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